1. The Controversy


In the Cydonia region of Mars there is a rock one mile square which looks like a human face. We have only a few photographs, snapped by a robot spacecraft in 1976. Only two photos reveal the facial features. Even the best image hides half the landform in afternoon shadow.

Was the facial resemblance carved by random forces of wind and water and geological upheaval -- or is it the product of intelligent life? It is either an amusing novelty -- or the most startling discovery of the scientific age.

Most of us would have doubts. The image is fuzzy, and don't people have a tendency to anthropomorphize? Most scientists think so.

There has been no lack of wishful thinking about Mars. The planet is one of the most prominent in the night sky, and so was worshiped as a god by the ancient Greeks and Romans. In the 1600s, when the telescope revealed Mars as a world like Earth, theologians presumed that a bountiful Creator would naturally populate a world like ours with beings like ourselves.

By the nineteenth century, religion gave way to secular evolutionary theory as an explanation for the origin of life -- but thinkers continued to be optimistic that Mars, the most earthlike of brother planets, might harbor life. And the relentless evolutionary procession of mutation and natural selection would inevitably lead to Intelligence.

Though Mars seldom approaches Earth closer than thirty-five million miles, astronomers of the 1800s marked intricate surface features which seemed to manifest life. The white polar caps spoke of water, the most vital compound for life. The clouds moving across the surface testified to an atmosphere, also a necessity for life. Mars also displayed regional color changes consistent with seasons of plant life on Earth.


A depiction of Mars made early in this century.


Perhaps Mars even had intelligence and civilization. Some of the nineteenth century astronomers claimed to see straight lines criss-crossing the Martian surface for thousands of miles. Using first rate equipment and a qualified staff, astronomer Percival Lowell argued these were 'canals' -- a global water distribution network constructed by civilized Martians.[1] Lowell thought the Martians were millions of years more advanced than us. But if so, where were their rockets and radio signals? Scientific skepticism grew over Lowell's theories, but many believed that at least Mars was the abode of primitive plant life.


Percival Lowell draws the canals.


Then came the 1960s, and the Space Age. Beginning with NASA's Mariner 4 space probe flyby mission in 1964, a new picture of Mars emerged. The planet's environment was so hostile that scientists rejected evolution and survival of even the most primitive life. Science writer Willy Ley wrote:

Mariner IV showed a world with an atmosphere that amounted to one percent of our own, peppered with impact craters like our moon, still displaying impact craters that must be very old so that one had to conclude that Mars had never possessed enough water to erase such scars by erosion. The surprise had been followed by gloom, and some went from gloom to resignation. If that is Mars, why bother with it?[2]


Mariner 4 photographs moonlike craters on Mars.


The atmosphere was too thin to breathe or protect the surface from deadly ultraviolet radiation. The magnetic field was too weak to protect the surface from deadly cosmic rays. It was too cold and air pressure was too low for liquid water. Howling winds sandblasted the sterile landscape at hundreds of miles per hour, months every year. Temperatures plunged nightly to depths below Antarctica. Mars had at least half-a-dozen ways to kill. Space Age telemetry told us Mars could not even host life, let alone evolve it. Optimism was crushed.

In 1971, the Mariner 9 space probe photographed dried water channels on Mars, evidence that water had once flowed on the planet, pressurized by a much-denser atmosphere. But the 'thick peppering' of impact craters beds led back to the same pessimism. The craters were so numerous that scientists believed they could only have dated from one period in history -- the very dawn of Martian planetary formation, billions of years ago. The preservation of the craters meant that little water or wind erosion had taken place since then; Mars must have been as dead as it was now for most of that time.

Perhaps Mars was once alive, but that age was so brief and long ago that intelligent life could not evolve and survive.

This is the official scientific consensus. Given that all of modern science assures us Mars is dead, how can a single rock speak otherwise?


In the summer of 1976, Viking space probes 1 and 2 first orbited the planet Mars. Launched by NASA, the probes carried some of the most sophisticated electronic equipment of the day. Each probe dispatched a lander vehicle to the surface, while 'orbiters' remained circling the planet at an altitude of approximately a thousand miles, photographing the terrain with ten times better resolution than ever before.

On July 25, 1976, while the drama of the first lander mission was capturing the majority of media attention, Viking Orbiter 1 photographed the object which is now known as the 'Face on Mars.' This image is shown in Figure 1.


Figure 1: The Face on Mars


No one took it seriously. Harold Marsursky, one of the leading scientists on the Viking team, joked, "This is the guy that built all of Lowell's canals."[3] Gerald Soffen, the Viking scientific team leader, held a mock press conference for the Face, announcing humorously to a bemused assembly of reporters that Viking had photographed a Martian. After the chuckling died down, Soffen added, "When the Orbiter took a picture of the region a few hours later, the resemblance went away. It was merely a trick of light and shadow."[4]

The picture was never suppressed, but it was never treated seriously by mainstream scientists, either. Taking their cue from the experts, the respectable journalistic community shunned it as well. The Face on Mars was fated for the pseudo- scientific fringe, taking its place in the Pantheon of the Incredulous, alongside spoon-bending psychics and hypnotically-derived testimonials of UFO abductees. Aren't the newsstands already stocked with UFO magazines sporting fuzzy 'alien-being-on- homeworld' snapshots? Well, this was just another -- albeit the contributor was not some con-artist, and the image really was from another world.

Indeed, the road to skepticism was paved that same year by George Leonard's crank masterpiece, Somebody Else is On the Moon.[5] Leonard claimed aliens were reworking the lunar surface with city-sized construction rigs. His entire 'proof' consisted of tiny squiggles on NASA photographs. Leonard later recanted his thesis. But the damage was done.

Inevitably, the Face on Mars sank to low repute, with public discussion limited to sensationalist tabloids[6] and UFO magazines. If the Face on Mars turned up from time to time in a reputable science book, it was always with a warning that, " . . . we must be wary of reading too much into photographs."[7]

It might have died there. But in 1977, Vince di Pietro, an electrical engineer working for NASA, came across the Face-on-Mars photograph while browsing casually through a UFO magazine at a newsstand. His reaction was originally one of amused skepticism, he relates:

The quality of the magazine was such that I readily thought the photo could have been a hoax. And whoever had written the article knew nothing about interpreting the data being beamed to Earth from Mars. Another photo, for example, was accompanied by a caption that claimed to show tire tracks across the Martian surface. As an experienced student of space images, I recognized the tracks as nothing more than radio-transmission errors, technically known as line losses, streaking across the picture. I soon forgot about what I had seen.[8]

Two years later, while employed at NASA's Goddard Space Center in Maryland, Di Pietro was thumbing through the photographic archives of the Viking mission, and came across the same image. Whether the Face was artificial was still open to question, but Di Pietro now knew the photograph was genuine.

Di Pietro contacted a colleague, computer scientist Greg Molenaar, and together they personally researched the Face. After locating the original digital data tapes that generated the photograph, they utilized computer-enhancement techniques to improve the overall quality. The results of their efforts appeared in a monograph entitled, Unusual Martian Surface Features.[9]

Despite ardent searching through the Viking archives, Di Pietro and Molenaar never found the second photograph which Soffen claimed debunked the Face as a 'trick of light and shadow.' Not only that, the Viking mission logs revealed neither probe was in a position to rephotograph the Cydonia region at the time Soffen said it was rephotographed.

Furthermore, the original pictures show the sun angle to be low and to the west. The local time is shortly before sunset. If a second picture had been taken 'a few hours later,' as Soffen claimed, it would have been in darkness. Neither Soffen or the press corps caught the obvious breach between words and image. The untruth is so flimsy that it is hard to believe Soffen premeditated the lie. So why did he make the statement -- and why did everyone accept it without asking to see the second photograph?

Di Pietro's and Molenaar's computerized enhancement of the Face proved the image is truly three-dimensional -- not just a 'trick of light and shadow' dependent on the relative angles of the sun, camera, and subject. Closer analysis also revealed an apparent eyeball within the shadowed socket -- a level of detail that seemed out of place in a purely random rock formation.

Their investigation revealed the Face is just one of several landforms, in the same region, that appeared to them and later to many others as monument-like. The region is named 'Cydonia' by astronomers, so collectively the landforms are known as 'The Cydonia Complex.'

Enter Richard Hoagland. A veteran science reporter, Hoagland covered the Viking and Voyager space missions during the 1970s for various magazines and also served as a science consultant for CBS news anchor Walter Cronkite. In 1981, when the efforts of Molenaar and di Pietro came to his attention, Hoagland began an energetic crusade to attract public and scientific interest in the Face and the possibility of an artificial origin. Hoagland's efforts include organizing a computer conference, writing a book[10], and making presentations before groups of scientists, engineers, and even Congress.

Hoagland is a central figure in the public debate over the Face on Mars. Although he now draws bizarre connections between the Cydonia Complex and crop glyphs, 'hyperdimensional physics,' and other New Age phenomena, he deserves credit for publicizing the issue in the first place. This book intends him no disrespect; however, his 'solution' to the mystery of the Cydonia Complex is mutually exclusive to the one provided here.

Hoagland dates the monuments to an age of half a million years, coinciding with the theories of New Age writer Zecharia Sitchin, who wrote several books on the theme of 'ancient astronauts' visiting and teaching scientific knowledge to our ancestors in the distant past. Sitchin believes these extraterrestrial beings come from the as-yet-undiscovered tenth planet of the solar system, which he calls Nibiru; the 'Nibiruians' also visited Mars, stranding humans who built the monuments.[11] Sitchin's theories are pseudoscientific. His books are bestsellers.

In 1984, the Cydonia Complex was also discussed in the international propaganda magazine of the former Soviet Union, Soviet Life. The author of the article suggested the monuments were built by a race of giants who had once long ago visited the Earth.[12] This was in pre-glasnost days!

The Face on Mars does capture our attention. Perhaps the mainstream scientists are right, and there is a psychological mechanism that imagines faces. Or has science gone so astray that our instincts are better at perceiving the truth?



Since the Face was discovered, reactions from respected members of the planetary science community have ranged from skepticism to irritation. Viking mission scientist Harold Marsursky declares: "I cannot say there were no civilizations on Mars. I just don't think it's very likely there were."[13]

Dr. Michael Carr, the geologist who was the leading scientist on the Viking Orbiter Imaging Team, takes a much less charitable position: "It's incredible people are still believing this stuff . . . it's all so silly."[14]

Carl Sagan, who also worked on the Viking scientific team, was equally skeptical, but perhaps more gracious; he stated: ". . . This Martian sphinx looks natural--not artificial, not a dead ringer for a human face--and probably was sculpted by slow geological process over millions of years."[15]

Scientific American columnist Martin Gardner is more absolute: "The great stone face can teach a serious lesson. If you search any kind of chaotic data, it is easy to find combinations that seem remarkable."[16]

David Morrison, a planetary astronomer with the Institute of Astronomy at the University of Hawaii, comments in a book review, "But do these represent, as these books claim, one of the most important discoveries in human history, discoveries destined to alter fundamentally our conceptions not only of Mars but of the origin and evolution of life and the nature of human consciousness? I seriously doubt it, and I regret seeing such specious arguments used to justify our space program or to urge additional missions to Mars."[17]

Another Viking-mission alumni scientist publicly berated an investment-newsletter writer for discussing the Face: "You should be ashamed to be associated with such company, as by publishing this nonsense you have forfeited any faith in your veracity and common sense on the part of all knowledgeable people."[18]

The official NASA position is best summarized by an enclosure that went out with each publicly-requested copy of the Face photograph, a 1987 paper by Paul Butterworth, the National Space Flight Center Resident Planetologist, which states, "Among the huge numbers of mountains on Mars it is not surprising that some should remind us of more familiar objects, and nothing is more familiar than the human face. I am still looking for the 'Hand on Mars' and the 'Leg on Mars'!"[19]

In this spirit, NASA has supplied critics with photographs of the Martian surface which show images of a 'Happy Face' and 'Kermit the Frog' -- 1970s terrestrial pop-culture icons that intelligent Martians are unlikely to construct.[20]

Only recently, after facing stiff political pressure, has NASA come around to allowing that the Face on Mars is worth a second look. That effort has taken its time. A decade and a half passed from Viking to NASA's next mission to Mars, known as Mars Observer -- which subsequently failed. And then another half-decade passed between Mars Observer and the next orbital photographic mission, Mars Global Surveyor. MGS experienced a year-long delay in its mapping mission after only weeks in orbit. It is unaccountable that NASA claims there is great value in studying other planets to learn more about Earth, but has been in no great hurry to send another space mission to the most earthlike planet in the solar system.


Yet the issue just won't go away.

One reason is because the Face is not alone. Accompanying it in the Cydonia region are those other landforms that strike the human mind as also being artificial. Figure 2 shows a strip of Cydonia terrain centered near the Face. Three other landforms are identified in this picture, and have been assigned names which will be explained in the next chapter: 'The Centerpoint,' 'The Wedge,' and 'The Second Face.' Collectively, along with the Face, these objects have come to be known as, 'The Cydonia Complex.'


Figure Two: The Cydonia Complex

 


There are other strange landforms in the vicinity, but for the sake of this book's discussion, the phrase 'The Cydonia Complex' will normally refer specifically to four landforms: The Centerpoint, The Wedge, The Face, and The Second Face. Let's give each a closer look.

The Centerpoint is magnified in Figure 3. Geometry greets the eye. In the middle are four dots, each about the size of the Great Pyramid of Egypt. They are arranged as the corners of a square. Surrounding them are pyramids -- you can see the distinct, straight edges. Connect the peaks of the pyramids, and you see a pentagon. Moving to the upper middle of Figure 3, we come to the Wedge. This landform has two smooth walls of even thickness, enclosing a dark triangular area.


Figure Three: Geometric Figures

The Centerpoint at left, the Wedge at Center

The Centerpoint: four dots in diamond pattern, enclosed by pyramids in pentagon arrangement.

The Wedge: Smooth walls of even thickness on both right and bottom sides, enclosing a triangular area.


Given photographic fuzziness and distortion, and the possibility of incompletion or damage -- still, this is a lot of geometry for a 'random landscape' of this size. Dots, squares, pyramids, pentagons, walls, triangles -- all of it next to the most controversial landform in the solar system.

There's more. Figure 4 shows a slender cliff at the far right (eastern end) of the Cydonia Complex. If viewed from the south at a low altitude, so that the image is compressed, we again see facial details: eye, eye lid, iris, nose, nostril, mouth, lip, chin. It's a caricature of a human face -- but it's even more compelling than the first Face. Together, the two faces seem to represent opposing ends of a continuum -- one childlike and innocent, the other worldly and sinister. It's what you'd expect to find in an artistic composition. It seems to tell a story.


Figure Four: The Second Face

Original image.

Left: Vertical axis compressed. Right: Tracing over main facial features.

But of course, that's just your imagination. You really don't see two faces. Just like you don't really see the dots, the square, the pyramids, the pentagon, the walls, the triangle. Trust the 'experts,' and see nothing at all.

Suppose in 1960, scientists had announced, "We're going to send space probes to Mars, but if we find anything that looks like an artifact of civilization, we'll just ignore it." This would have seemed astonishingly unscientific -- rejecting data because it doesn't fit into established theory.

In the next chapter, the 'Story in the Stones' will be deciphered, and you will find your intuition has some justification.